The title alone should really give the discriminating listener an indication of the kind of warped, surreal sensibility one can expect from the director of Mulholland Drive in his first full-length album. Of course, David Lynch’s body of work is characterized by its evocative musical soundscapes, much of it provided by composer extraordinaire, Angelo Badalamenti, that work to heighten the pervasive mood of confusion and underlying darkness that Lynch is best known for. It makes sense that the American auteur would extend his interests to music, for much of Crazy Clown Time evokes the same visceral fragmentation of the (post)modern world that permeate his visual output.
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